Sunday, October 6, 2013

Fourier, "Intermeshing of the Series by Cabalistic Gastronomy"


THE NEW INDUSTRIAL WORLD

CHAPTER XXVI.

Intermeshing of the Series by Cabalistic Gastronomy.

In the course of the preceding sections and the Preface, we have had occasion to jest about a thesis several times repeated and laughable at first glance; it is that (224) in the societary regime gluttony is a source of wisdom, insight, and social accord. I can give that strange thesis the most regular proofs.
No passion has been more badly esteemed than gluttony. Can we presume that God considered as a vice the passion to which he gave the greatest influence? (There is none more generally dominant among the people.) Other passions, such as love and ambition, exert much more influence over the adult and virile ages, but gluttony never loses its sway over the various ages. It is the most permanent of passions, the only one which reigns from the cradle until the end of life. Already very powerful among the refined classes, it reigns as sovereign over the people and over children, who we see everywhere as slaves of their muzzles. We see the soldier make revolutions for whoever will get him drunk; and the savage, so scornful of the civilized, joins in their industry for the price of a flask of eau-de-vie, or sell his wife or daughter if need be, for a few bottles of strong liquor.
Would God have so enslaved humans so urgently to that passion, if he had not assigned it an eminent role in the mechanism to which he predestined us? And if that mechanism is Industrial Attraction, must it not be intimately linked with the gastronomic attraction called gluttony? In fact, it is gluttony which must form the general link in the Industrial Series, and be the soul of their emulative intrigues.
In the civilized state gluttony is not linked to industry, because the laboring [manouvrier] producer does not taste the exquisite goods that he has cultivated or manufactured. So among us that passion becomes the attribute of the idlers. For that reason alone would be vicious, if it were not already so because of the outlay and the excesses that it occasions.
In the societary state gluttony plays an entirely opposite role: it is no longer the recompense of idleness, but of industry; for the poorest grower takes part in the consumption of the precious goods. Moreover, it will influence only in order to preserve from excess by means of variety, to stimulate labor by uniting the intrigues of consumption with those of production, preparation and distribution (263). Production being the most important of the four, let us first pose the principle which must direct it; it is the generalization of gluttony. In fact:
If we could elevate the whole human race to gastronomic refinements, even of the most common dishes, such as cabbage and turnips, and give to each an ease which would permit them to refuse any foodstuffs that are mediocre in quality or preparation, each cultivated country would be, at the end of a few years, covered with delicious creations; for (94) there would be no place for the mediocre, such as the bitter melons, and bitter peaches, produced by certain soils where we will cultivate neither the melon nor the peach. Each canton will settle on the products that its soil can elevate to perfection; they will bring soil to the places that give bad qualities, or else they will plant the place in forests, in pastures or put it to other uses which can produce a product of good quality. It is not that the Passional Series does not consume the common sorts of food and fabric; but they want, even in the common things, such as broad beans and coarse cloth, a quality as perfect as possible, conforming to the proportions that nature has established in attraction in manufacturing [attraction manufacturière] (see 152).
The principle from which we must begin is that we will arrive at a general perfection of industry, by demand and by the universal refinement of the consumers, with regard to food and clothing, furniture and enjoyments. This principle is recognized even by the moralists; for we see the classics thunder against the bad taste of the public, given over to the melodramas and monstrosities that a society with uncluttered taste would scorn.
On this point, as on every other, morals is in contradiction with itself, for it wants us refined in literature and the arts, but it wants us coarse on the essential branch of the social system, that of the subsistences which are the part of relations (139 and 224) from which Industrial Attraction must sprout, in order to spread out from there in all the other branches. Thus the moralists, always as unfortunate in theory as in practice, have applied the principle of improvement, or the necessity of refined taste, to the last object to which we would apply it to, to the fine arts; and I place them at the last level in social politics, because the refinement that we have introduced there falls into a double vice:
1) It perverts the same arts which, by mercantile speculation, engage more and more in [the production of] fake diamonds, exaggerated romanticism, deviations of all sorts; this is a depravity that spreads to a genius given over more than ever to the spirit of system, and the scorn of nature or attraction.
2) If refinement reigns more or less in the arts, it is confined there, it does not spread into the primordial relations, those of consumption and preparation, from which it will be communicated to production (139 and 224). Thus the advance of good taste or refinement is completely distorted or neutralized by that moral blunder which wants to limit it to the arts before introducing it into gastronomy, from which it will spread everywhere, apart from the employment of the Passional Series.
In support of this double reproach, let us observe that Paris, which is the home of the fine arts, is also the home of bad taste in gastronomy. The Parisians consume the good and the bad indifferently; [1] it is an anthill of eight hundred thousand philosophers who only nourish themselves in order to curb their passions and promote the cunning of the merchants by a servile resignation to all the frauds, and all the poisons that commerce delights in inventing.
Another sort of depravity particular to France, which is also of Parisian origin, is the scorn of the feminine sex for gastronomy, a disdain that will grow. This will be a very great vice at the beginning of Harmony; for we cannot be keenly passionate about cultivation, fervently adopting the intrigues of the agricultural series, if we cannot be passionate in gastronomy, the initial path of Industrial Attraction. Preachers of morals and good taste persuade French ladies that gluttony is a passion of the bad sort; they must change their tune in Harmony, so they elevate themselves to cabalistic refinement, at least with regard to the ten passions allowed by civilized customs. The feminine sex is less corrupted in Germany, where it gives itself more frankly to the gluttony, even with regard to wines, that the fair sex in France hold it an honor to scorn.
All these tastes for moderation are only twistings of nature: it has prepared, in solid or liquid foodstuffs, a proper assortment to excite the three sexes; and what’s more an enmeshing of tastes, moving into the male tastes an eighth of the women, and in the female tastes an eighth of the men. That enmeshing exists even if it is disguised. I knew a maiden of nine years who loved garlic very much and ate cloves of it greedily. Doubtless as fifteen she would have weaned herself from this treat; but it proves that despite the judgments of fashion, women are endowed, in a suitable proportion, with all the tastes necessary for the intermeshing of the passional Series, according to the roles posited in the first section.
So it will be necessary to develop these tastes in the trial phalanx, to make their natural penchants bloom among women, who are often strongly opposed to good taste. It will be first with regard to gastronomy that we must recall them to nature, if we want to attain without delay the intermeshing of the industrial series and the balancing of the passions. A young girl loves garlic despite teasing; speculate on this taste for a double intermeshing. We could see the workings of:
1) The alliance of the sexes in a series; for the series which cultivates the bulbous legumes, onion, garlic, shallot, leek, and scallion, will usually be masculine. It is necessary, by intermeshing, to introduce there at least 1/8 women; and it is in youth that we must seek them, for it is at not much more than six that girls develop a taste for garlic.
2) The alliance of labors in the individual;. A young girl loves garlic and does not like to study grammar. Her parents want her to renounce garlic and devote herself to study; this will doubly vex her nature; seek rather to develop it in a double sense. After having placed her in cabalistic connection at the table and in the garden with the enthusiasts of garlic, present to her the ode in honor of garlic, by Count Marcellus: she will hasten to read it, if she is strongly aroused against garlic’s detractors. Take advantage of this reading to acquaint her superficially with lyric poetry, with the distinctions between stanzas and free verse; perhaps she will become interested in poetry before grammar, and one will soon lead to the study of the other. Thus societary education combines the cabalistic spirit and odd penchants to awake in the child the taste for study, and leads her indirectly to what she would have stubbornly rejected without the support of some stimulation by intrigue.
I insist on the principle of linking all these intrigues to gluttony, which is for children the natural path of initiative and intermeshing in industry. Doubtless there are other resources to put in play, but that one is of the first rank in childhood. The trial phalanx, being unaware of this principle, will go down a false road: it will only advance by tortoise’s steps; and, if it commits one other serious fault, it will fail.

[1] The assertion may seem insulting to the Parisians, but I will support it with decisive facts.
Since 1826, the bakers and pastry chefs of Paris have only half-cooked all their dough. So Paris was very uncultivated in gastronomy, at a time when we fully cooked bread and pastry! Those times, however, those of Grimods and Berchoux are found guilty of gastro-stupidity, if the present fashions are consistent with sane doctrines. Must we tell the secret of that monstrosity? It is that half-baked dough retains more water, is heavier and keeps better in case of slumps. This half-baking serves the interests of the merchants, but not that of the consumers. If the Parisians were not Vandals in gastronomy, we would have seen the great majority rise up against that mercantile impertinence, and demand the necessary baking; but they have been made to believe that this is the good sort, the English variety which comes from England.
In 1797, they were also accustomed, by English fashion, to eat meat half-raw, with forks bent backwards and nearly impossible to handle. It is again Anglomania which accustomed them to banish at lunch the fine dishes of their country, and replace them with a vileness called tea, a drug to which the English necessarily accustom themselves, because they have no good wine, or good fruit, except at enormous expense. They are reduced to tea, like the sick, and butter, like the little children to whom a poor mother gives buttered toast.
Can we call these beings “gastronomes” [who are] without distinct taste, submissive to all the stupid ideas suggested to them by fashion and mercantile cunning? Witness the vogue of the rancid paste called vermicelli, which has become the popular soup in Paris, because it makes money for the grocer and saves time for the cook. That is the knowledge of Parisians in gastronomy, submission to every rascal who wants to dupe them; and nowhere do we see so many falsifications of liquids, wine, vinegar, liqueurs, beer, milk, oil, sugar, etc.: their meat is heated and corrupted by the forced courses of the animal that the merchant wants to make skip a step; their pastures are steeped with the perfume of a certain product with which one manures the gardens of the suburbs; they have some good fruit because commerce cannot counterfeit them like their wines, made with wood-dye, potash mercantile, litharge, lees, esprit 3/6, cooked wine, molasses, licorice, alum honey, iris and other poisons of which the worst is the wine of Languedoc St.-Gilles. What’s more, their farmer are ignorant to the point of spoiling half of the potatoes from the day of the harvest: of twenty baskets taken to the market, you will find ten of them inedible from bitterness, acidity, or viscosity. Is there a nation more profane, more barbaric in gastronomy? A child of five, raised in Harmony, will find fifty shocking faults in the dinner of a so-called gastronome from Paris. What is there to say about their other Anglomanias, their writing where we only see some “u”s, uuuuuuuuuuu…?

[Working translation by Shawn P. Wilbur]

Monday, January 14, 2013

Charles Fourier, "Melons that Never Deceive"

THE THEORY OF UNIVERSAL UNITY

VOLUME 3, pages 47-50.

CIS-AMBLE,

Melons that never deceive, or prodigies of composite serial Gastronomy.

Let us give some articles to each of the classes of readers. There are those who love amusing demonstrations, connected to their favorite pleasures; the gastronomes are among this number: I attempt, in this mediant, their conversion. I suppose that they are already moved by the depictions of the refinement that the Passional Series introduces into good food. I will give gormandizing some more nobles colors, and present it as the principle aide of the economic views of Providence, provided, however, that this passion is developed in Grouped Series.
A little gastronomic debate will prove that by learning the theory of the Passional Series, we acquire the gift of explaining all the apparent eccentricities of nature, tearing down all the veils of brass. It is the melon which will serve as our interpreter.
Everyone knows the dictum, that melons are as hard to know as women and friends. it would be a true wonder if we could find a means of never being fooled by this fruit which bewilders the most expert judges. We often ask ourselves why nature has not attached to it some sure sign of quality and maturity; does it intend to make light of man? I will explain that enigma, and show a sure means in the societary regime of never committing any error in the choice of melons.
That would be a slight advantage, if it did not lead some something more precious: but if the method which will avoid all deception about melons can preserve the advantage in a hundred more important relations, it becomes very interesting to learn how we can introduce this judgment into the distribution of melons, this appropriateness that the Civilized order cannot establish either in little things or in great ones.
There is no fruit more generally suitable for all tastes than the melon of high quality, like the muskmelons of Persia, Astrakhan, Lower Provence, etc. Men, women and children, even animals, from the horse to the cat, are fond of the melon, which, for that reason, is a fruit of high harmony and unitary affinity.
However, this vegetable so eminently destined for man and his domestic animals is the most deceptive, as to appearances: it seems that nature has created it to mock the human species. Whatever care we bring to the choice of the melon, we are constantly fooled, especially in cold countries; and the tables resound with jeremiads on the unpleasantness of having paid amply for a good melon and only encountering a squash.
We take, however, when purchasing this fruit, some extraordinary precautions: we exclude women from it, as incompetent and uninformed in gastronomy; and in every country, it is not the housewife, but the husband who is charged with the purchase of the melon. Despite so much care, blunders are so frequent, that we joke about the one who carries a melon, it is so well known that the most deft buyers often find they have miscalculated when it comes to the opening of them.
What then was the intention of nature, when it covered that fruit with an enigmatic husk, made to mystify civilized diner? Did she want to fool these legions of double-dealers; to pay them in their currency, which is falsity? Yes: but that calculated irony is linked to some arrangements of distributive justice, impracticable in civilization.
In the societary order, the choice of the melon is as exempt from error as if we bought it already sliced. Let us explain the mystery.
Every agricultural Phalange establishes seven classes in its distributions of comestibles, which are,

1st. The command,             approximately 50 individuals
}
1500
2nd. The sick and the patriarchs,  approx. 50
3rd. The 1st class,                       approx. 100
4th. The 2nd class,                       approx. 300
5th. The 3rd class,                       approx. 900
6th. Children from 2 to 4 ½        approx. 100
7th. The caravanserai, unlimited number
!K. A lot of animals containing the coarse dishes and waste.



Let us examine how none of these classes can be fooled about the melon or other comestibles.
Each day the groups of melonists, the cultivators and distributors of melons purchased or gathered, lay out the quantity necessary for the day’s consumption.
Moments before the meal of each of the classes, one carries out the probing and tasting of the melons for the day: we begin with the lot considered superfluous, and intended for the companies of the command and the first class, for the sick and the patriarchs.[1]
From these melons probed and chosen from among the best in appearance, we separate all the inferior for the tables of the 2nd class, who, paying less, should have the average quality. We then probe a mass of melons estimated as 2nd class, of which we accept only the precious portion to be mixed with the remnants of the 1st class. Then for the 3rd tables of 900 persons, whose meal is later, we probe the entire mass of melons to be consumed, the best of which is added to the remnants of the 2nd class. Thus all the melons served at the tables of various degrees are not only well suited to the degree, but adorned with a mark indicative of their qualities; so that, far from having any error to fear, we see by indicative marks the real value of each of the melons placed at the buffet.
Let us conclude on the general conventions of that distribution. The pieces that are too small, the small bits of very good quality, which would not be presentable to the companies of the 1st class, agrees wonderfully for the children of the aforementioned class. After all the choices completed, they find some melons spoiled or inferior, which are left to the horses, cows, sheep or other animals, along with rinds of various degrees. The comes the distribution of the scraps from the edges, neglected although good: they are distributed first to the cats, then to the poultry and fish as fertilizer. The scraps of an inferior sort are divided among the animals of lesser value, like the swine.
Thus, not a man, not a cat, can be deceived about the melon, a fruit so treacherous for the Civilized, because they do not regulate the distributive order according to the serial method desired by God; method with which he has made all the dispositions of nature coincide. It is quite right that the Civilized, in these distributive details, are dupes of their social division or familial regime; and God exercises an irony as fine as judicious, by creating certain products enigmatic in quality, like the melon, made to innocently mystify the rebel banquets in the divine methods, without being about to in any way deceive the gastronomes who line up in the divine or societary regime.
I do not mean to say that God created the melon exclusively for that joke; but it was part of the numerous uses of that fruit. Irony is never neglected in the calculations of nature; you will see the proof I the article Inverse Pivot, pollen of the lily. The melon has among its properties that of harmonic irony, independently of other more important [properties], which there is no time to mention. It will suffice for this description of the combined uses of the melon, to disabuse ourselves of so many apparent/related eccentricities of nature. It is only bizarre in civilization, which is not compatible with the views of the Divinity, nor with the distributive system ruled prior to creation, and adapted to the societary state or regime of the contrasted, rivalized, enmeshed Passional Series.
It is, I feel, very humiliating to give way to such an opinion, when we have piled up 400,000 tomes to prove that civilization is the aim of God, and that is why the Buffons, the Senecas and other beautiful minds, prefer to claim that nature has erred in creating the passions and kingdoms, that to put into question if the passions and passions do not have another destination, and by what means one can determine that unknown destiny, of which the whole material and passional creation makes us suspect the existence, by its impropriety with the civilized and barbaric order.
Obliged to reproduce the different aspects of the fundamental truth, that neither man, nor the products of the various kingdoms are made for civilization, I have recourse, in this article, to the familiar dissertations, like the induction drawn from the uses of the melon in the societary state. I could support it with other examples of the same kind, furnished by these products, like the melon, which appear made to mock men, only mocks the civilization incapable of using them.
Let us conclude by observing that in the civilized order where the work is repugnant, where the people are too poor to participate in the consumption valued dishes, and where the gastronome is not a planter, his love of good food lacks a direct link with cultivation; it is only simple and ignoble sensuality, like all those that do not attain the composite mechanism, or influence of production and consumption acting on the same individual.
I will take up this argument again in the trans-amble, where gastronomy, which is only examined here in composite use, will be treated in bi-composite on another subject. It is enough, for “the moment,” to have demonstrated on this gastronomic trifle the disagreement of the civilized order with the dispositions of nature, the essential connection of the passions and the kingdoms with the series of industrial groups which we are going to deal with, and the impossibility of explaining other than by the societary destiny, all the apparent eccentricities of creation such as the rebellion of a couple of magnificent porters, the zebra and the quagga, more precious than the donkey and the horse, and which, uncontrollable for the Civilizees and Barbarians, will become mounts as docile as they are precious for the societary state. Nature, in refusing us the possession of these superb quadrupeds, mock us still more bitterly than in the traps of the melon.

[Working translation by Shawn P. Wilbur]

[1] Nota. The first class, although the wealthiest, is seated first, contrary to the civilized custom which, by sedentary labors and an apathetic life, takes away the appetite of rich people, or hardly leaves them enough for a diné at nightfall. The opposite takes place in Harmony, where the rich, by a life which is still more active than that of the poor, enjoy a thriving appetite at their five meals, and will not put up with a diné that will take the place of the soup, according to the custom in Paris.

Charles Fourier, "Major or Gastrosophic War"

[A colleague and I have been working on a translation from Fourier's New Amorous World, which focuses on the "wars" between the armies of Harmony to determine the most generally pleasing series of means of preparation for petits pâtés. This is a companion piece from The Theory of Universal Unity, which describes variations on the same process.]

Major or Gastrosophic War.

Let us banish calculations from an article dedicated to beautiful subjects, to nice tastes. Let us not, however, entirely neglect method.
We call nice tastes those with which we can form at least a regular series of about thirty persons at minimum in each Phalanx, according to the following table, with 2 pivots, 4 transitions and 9 sub-groups.
Y : [K rotated 270°] : 3. 4. 2: K : 3. 5. 4 : [K rotated 180°]: 2. 3. 2: [K rotated 90°]: [Y rotated 180°].
These nice tastes are of various degrees, depending on whether they include 1/12, 2/12, 3/12, 4/12, etc., of the Phalanx: let us give two extreme examples at 1/12 and 12/12.
Good musk melons are a fruit which pleases nearly everyone, the three sexes[1] all together, and without culinary preparation. As to squash, despite the interventions of the cook, they are a poor sort of food, good for the present populace, but they will not reach well-stocked tables.
Thus the melon, in Harmony, will easily bring together in series twelve twelfths of the Phalanx; it will be a nice taste of a high degree. The squash will barely assemble the series of one in twelve, as tabled above: it will be a nice taste of a low degree, and not a pleasing taste which would gather a sub-series or regular group (343).
The nicest tastes, in high degree, relate to good food and love. These pleasures, for which the taste is most general, are the principle mechanisms which Harmony uses to involve the armies in intrigues by infinitesimal series. From this arises three sorts of military rivalries or wars, namely:
The pivotal [X rotated 270°], war of intrigues in industry.
The major Y, war of intrigues in gastrosophy.
The minor [Y rotated 180°], war of intrigues in love.
I will not speak of the wars of love, which will not be compatible with our customs; a table in the gastrosophic regime will suffice to make known the intrigues of the Harmonian armies. (Trap for the censors; I warn them of it.)
Let us suppose a great army of the 12th degree, bringing together divisions from a third of the globe, about 60 empires that have each provided 10,000 men or women. The 60 imperial divisions or armies are gathered at the Euphrates, having their headquarters at Babylon.
This great army has chosen two campaign-theses[2], one of which, in industry, involves the art of embankment. It must embank one hundred and twenty leagues of the course of the Euphrates, by some method or methods.
The army being of the major order, it also has a gastrosophic thesis: the determination of a series of petits pâtés in the hygienic orthodoxy of the 3rd power, with 32 varieties of petits pâtés, plus the foci, all adapted to the temperaments of the 3rd power, conforming to the table on page 314.
The 60 empires which want to compete have brought their materials, their flours and garnishes, and the sorts of wine appropriate to their varieties of pâtés. Although the costs are paid jointly by the whole world, each empire assembles its provisions as it wishes for the thesis of battle.
Each of these empires has chosen the gastrosophers and pastry chefs most apt to defend their national honor, and to make prevail the sorts of petits pâtés that they want to have admitted into the orthodox series of the 3rd power.
Before the arrival of the 60 armies, each of them have sent their engineers to arrange battle-kitchens which are appropriate for the object of the challenge and for the accompanying dishes. The battled-kitchens do not provide the daily service of sustenance; each army is fed in the caravanserais of the Phalanx where it is camped.
The oracles or judges who sit in Babylon are drawn, as much as possible, from all the empires of the globe, and not exclusively from the 60 empires which figure in the competition.
The army, 600,000 combatants strong, with 200 systems of petits pâtés takes a position on the Euphrates, forming a line of about 120 leagues, half above and half below Babylon.
Before the opening of the campaign, the 60 armies choose 60 cohorts of elite pastry chefs, which they send to Babylon pour to serve in the high battle-kitchen serving the great gastrophical Sanhedrin. It is a high jury which functions as an ecumenical council in this matter.
At the same time one detaches from the 60 armies one hundred and twenty battalions pastry chefs of the line, who are split up by squads in each army, so that each has 59 squads drawn from 59 other armies, making the petits pâtés according to the instructions of the competing chefs of their empire.
Each of the 60 armies is positioned in the center or the wings, depending on the nature of its claims in the series:

The right wing, on stuffed petits pâtés,   20.
The center, on vols-au-vent[3] with sauce,  25.
The left wing, on garnished mirlitons,[4]     15.
}
60

 (I may be mistaken in this distribution, for I am a complete intruder in gastronomical matters. )
The affair is engaged with some batches from one of the corps, the left wing, of the mirlitons, which are tasted at Babylon by the great Sanhedrin or congress of oracles et oraclesses. No more than 2 or 3 systems can be presented per day. The tasting would become confused if the number exceeded three.
Each day, in the 60 armies, the battle-kitchens make and serve to their army the varieties presented to the judgment of the great Sanhedrin, in order that those armies have a fresh memory of it, and the aftertaste still, at the moment when the bulletin of Babylon arrives which will relate the opinions of the Sanhedrin on those varieties.
At the end of a week employed for the tasting of the systems of the left wing, the Sanhedrin renders a provisional judgment, and the bulletin of Babylon makes known to the 60 armies, and to the entire world, that the three empires of France, Japan and California have won a first advantage; that some systems of mirlitons presented by them have been accepted provisionally into the left wing of the orthodox series, or adapted to the conveniences of temperament.
So far, the struggle is competition and not battle, which can only begin after the admission of the entire series. A month would have to pass before the Sanhedrin could form a provisional cadre of orthodox systems of 12 varieties, distinguished into groups of 3, 5 and 4 for the center and the wings, plus a pivot.
This is only a preparation for battle, during which each army has other, more active intrigues: but this one, being the principal, must occupy the entire campaign, 5 or 6 months.
The cadre being formed at the end of a month and announced to the world, the battle is engaged along the whole line and in triple struggle; for each of the 48 empires which have failed in the competition of the cadre, preserve their chances:
To drive out one of the accepted systems or even a corps from the wings or center, by producing new systems of petits pâtés which have not yet competed;
Of being accepted in the counter-octave, when it is necessary to form a complete gamut of 12 major varieties and 12 minor varieties;
Of taking place in the 4 transitions, the 4 sub-pivots and the great pivots still not admitted.
These three chances give an extreme activity to the leagues, and to the voyages of diplomats in the 60 armies. Each day we see new alliances form between the various empires which judge it convenient to associate their varieties of petits pâtés and of wines and other beverages, to form center our wing, and to give battle to a mass of systems already accepted.
The multiplicity of these claims oblige 3 juries to form in a sub-order for the tastings and presentations. These juries placed in the three great divisions, at 30 leagues from one another, are served like the Sanhedrin, each by 60 squads of elite pastry chefs. Their decisions are provisional and subordinate to the tastings of the Sanhedrin. From then the struggle becomes general, and more variable as each acceptance or rejection causes new plans, produces new cartels directed at one or more empires, and demands new negotiations between victors who have attacks to fear until the definitive fixing of the orthodox series.
In the meantime, the 64 battle-kitchens work wonders of skill; travelers rush from all parts in order to bear witness to these complex struggles which will decide the claims of so many empires; the bulletins of Babylon are read avidly around the globe, especially in the empires which took part in the combat.
Nonsense, it will be said, you promise a treatise on Association, and you reel off twenty fairy tales!!! Patience, until the commentary which will follow; and the alleged nonsense will become the thoroughly methodical solution of a problem of equilibrium in the infinitely small, necessary counterweight to the infinitely large: but let us conclude.
At the end of the campaign, there would be 24 empires vanquished and 36 triumphant; perhaps less, for a single empire can succeed in making adopted 2 or 3 varieties of its making.
However, the vanquished are not considered beaten; they will reproduce their petits pâtés for a new Sanhedrin which will form a series of the 4th degree, with 135 varieties: until then their methods are heterodox, not applicable in the gamut of the 32 temperaments, and not accepted into the gastrosophic hierarchy.
The armies battle over a lot of these theses in various degrees, and each day at the meals they have some struggles between the empires, the procedures of which they review, depending on the distributions of cooks that each army makes to the others.
They also have, for their evening sessions, some propositions regarding affairs of the fine arts and occasional sympathy. In these numerous intrigues, they engage in a whole campaign before reaching the outcome.
Their pleasures are still varied by various incidents, like the encounters of characters or legions of adventurers and adventuresses, who travel to spread a particular character in the sciences or arts, and which contain many virtuosos in that genre.
At the end of the campaign, the armies assemble for some time, first in sub-divisions, then in three divisions, then en masse, to give some unitary feasts in the cities of the headquarters, to render public homage public to the individual victors, to the authors of productions adopted in one or another of the gastrosophic Sanhedrins.
A capital, in Harmony, is always surrounded at some distance with a circle of shady paths, or boulevards with several lanes, which are used to shelter and table the armies.
On the day of triumph, the victors are honored with a military salvo. For example, Apicius is the pivotal victor; his petits pâtés are served at the beginning of the dinner; all at one the 600,000 athletes are armed with 300,000 bottles of sparkling wine whose loosened corks, held in by the thumb, are ready to pop. The commanders face the beacon-tower of Babylon, and at the moment when its telegraph gives the signal to fire, the 300,000 corks are released at once; their clamor, accompanied by shouts of “long live Apicius!” re-echoes far off in the caves of the mountains of the Euphrates.
At the same instant Apicius receives from the head of the Sanhedrin the gold medal, bearing the inscription: “To Apicius, victor Y in petits pâtés, at the battle of Babylon. Given by the 60 empires, etc.” Their names are engraved on the reverse side of the coin.
Such homage will be rendered to the pivotal inverse victor, man or woman, whose petits pâtés are adopted as term [Y, rotated 180°] of the orthodox series.
Gastronomic pygmies of our time, dare to compare your lowly trophies to those of a gastrosopher of Harmony, whose triumphs, in a single dish, ring out with so much brilliance throughout the entire world! Everything is just arbitrary in your science; the Beauvilliers and Archambaults are only confused guides, operating without the distinction of temperaments, without the avowal of competent authorities. Their laurels are as often the object of facetious remarks as they are a path to glory; those of Apicius will join interest and glory, for they will be for him a road to high honors, even to various degrees of magnature and scepters, by title of ambition *2, and of institution *3 (275).
I have given these details to support a principle, namely, that the armies of Harmony, of all degrees, have feasts so brilliant and intrigues so active, and so numerous, that acceptance into the army is a favor, and is obtained only on good titles. For example, in this campaign of the petits pâtés, we require half the applicants to have the ability to work as pastry chefs, and the other will be subject to the most minute questions of taste.
Similar battles will be established for all the nice tastes, whether in gastrosophy, the fine arts, or love. Now, the petits pâtés are a nice taste of a very high degree, and perhaps even the highest, for we find very few people—men, women, or children—who are not amateurs of some sort with regard to petits pâtés or mirlitons.
That army, aside from its theses on nice tastes, will have to work on the nasty tastes by a divergent series in reverse. The armies of Harmony have a large number of functions which always tend to form connections of all sorts between the regions of the globe, and to establish them in proportion to the degree of refinement; when the orthodoxies are established, we will see in every army of 10,000 men, some feasts in the 5th degree for example:
They will provide meals according to temperament, divided into 810 companies, which will prepare each dish in 810 ways, which are different, but still orthodox, for each of the 810 temperaments.
It is only in the armies that such feasts can be found; for 810 companies of 9 or 10 persons already make 8,000 persons at the table, plus the servants: it requires then gatherings of 10,000, to have celebration in the 5th degree of dishes or other objects. An army of 30,000 can hold celebrations of the 6th degree, much more refined and spreading more charm on the links of which they are the source.
One would thus be grossly mistaken about the purpose of the passions, claiming that they will bring uniformity of development. Their harmony, their equilibrium in the societary mechanism, depends on the extreme variety of developments given to a single passion.
Listen at a Civilized table as different tastes are expressed regarding a bagatelle, an omelet: a sober man will believe he speaks philosophically, saying that all the omelets are equal in rights, and that one must eat without distinction all those that are presented.
Far from that: it is necessary, in order to harmonize the passion for omelets in the 5th degree, to open 810 paths of development, by a classification of 810 varieties, applied to as many temperaments, and adopted by a Sanhedrin which will theoretically transmit to all the empires of the globe the rules of fabrication for 810 omelets, the practical science of which will be communicated to those empires by the legionnaires who have waged the campaign of omelets of the 5th degree.
If one noticed a delay in digestion in some series of temperaments, in those who those who devoted themselves to the omelette soufflée, that would be a thesis to propose to the armies. The unified congress seated at Constantinople would indicated an industrial struggle for the following year, linked to a battle of omelettes soufflées, to be engaged in somewhere, say at Paris, by an army from various empires, which would take positions from Rouen to Auxerre, to debate there both theoretically and practically the question of omelettes soufflées, and their orthodox assortment in the series of temperaments.
While seriously concerning itself with these apparent trifles, an army of Harmony executes immense and magnificent labors. What does it matter if it has, at mealtime, some intrigues involving pâtés and omelets? These apparently frivolous rivalries, are principal branches in the balance of the passions, and the more we manage to raise the refinements to a high degree (according to the table on page 336), the more we are assured of establishing a perfect equilibrium in the development of each passion. What a denial of that philosophy which wants to bring us back to the holy equality of tastes, to universal monotony, and which would claim to found on uniformity that equilibrium of the passions that we can only establish on the progressive and methodical development of the varieties of tastes, whether nasty or nice!

[Working translation by Shawn P. Wilbur]

[1] Men, women, and children, according to Fourier’s reckoning.—Translator.
[2] The theses are competing methods of achieving some taste: preparing a particular dish, embanking a river, etc.—Translator.
[3] A hollow puff pastry.—Translator.
[4] Based on Fourier’s descriptions elsewhere, another small pastry, probably a meat-filled tartelette.—Translator.

Tuesday, November 13, 2012

Gastrolatry / Gastronomy / Gastrosophy

These entries are from the Dictionary Of Phalansterian Sociology:

GASTROLATRY. — Ignoble role of the man who only knows how to play with his jaw. — New Industrial World, 259. Theory of Universal Unity, 109.
— See: Gluttony.

GASTRONOMY. -- In civilization gastronomy can only play a very subordinate role, nearer to debauchery than to wisdom. — New Industrial World, 258.
— Conditions which render gastronomy honorable and praiseworthy.  X. 251.
— Gastronomy is a seed of attraction more effective than any other. N. 260, 382.

GASTROSOPHY. — Gastrosophy is gastronomy applied to industrial attraction and to hygiene.
— Gastronomy, which in civilization is only a simple and contemptible sensuality, becomes in harmony a science of high social politics, called Gastrosophy, high gastronomic wisdom, profound and sublime theory of social equilibrium. — Theory of Universal Unity, III. 139.
— Gastrosophy or hygienic wisdom engendered by the 4 functions: Gastronomy, Cooking, Preserving, Cultivation. — New Industrial World, 258.
— Graded gastronomy is the mechanism organized to work promptly as mechanism of attraction in a trial phalanx. — New Industrial World, 102. - Motifs by which the gastronomic passion has a strong influence for the success of the beginnings of Harmony. — New Industrial World, 261.
— Necessity of speculating on gastronomy to make industrial attractions bloom. New Industrial World, 300. Is disdained today by women. — New Industrial World, 206. — But will be the most powerful emulative mechanism in education in the combined order. Livret d’Annonce, 31.
— Gastronomy or gastrosophy will be the source of refinements in the quality of products, which will allow the poorest Harmonian to claim to be better served than the kings of Civilization. — New Industrial World, 273.
— Utility of the gastrosophic antienne for classifying temperaments from an early age. — New Industrial World, 343.
— Combined gastronomy envisioned in its political, material and passional sense. — Theory of the Four Movements, 236, 243, 253.
— Wonders composite, serial gastronomy. Melons that never deceive. — Theory of Universal Unity, III. 47.
— Problem of bi-composite gastronomy. The triumph of the tough poultry. — Theory of Universal Unity, III. 135.
— Major or gastrosophic war. (The word “war” is used in the sense of rivalry.) — Theory of Universal Unity, IV. 352. See: Industrial armies.
Gastrosophy is derided by the Civilized, even though it is their guilty pleasure, for the love of good food reigns as much in the philosopher as in the prelate who rants against the pleasures of the table. — Theory of Universal Unity, IV. 418.
— Gastrosophy demands the cooperation of four sciences: chemical,  agronomical, medicinal and culinary. — Theory of Universal Unity, IV. 420.
— See: gourmandise, hygiene.